G.R. N’Namdi
66 E. Forest Ave.

Detroit, MI 48201
313-831-8700

www.grnnamdi.com
Tues-Sat 11am-5:30pm; Sun 11am-5pm

Dec 6-Jan 11


Nanette Carter brings a synthesis of the abstract composition and natural growth processes to the G.R. N’Namdi gallery. Working in her trademark style of oil on mylar Carter explores abstraction through paint while simultaneously exploring the dynamics of growth found in nature. Within the framework of the compositional structure she builds, Carter allows for the complexity of growth processes to unfold.





“Motion Cleansing #2”


The works are split-level compositions (though in some cases the different levels are not laid top on bottom, but inset upon one another.) While one section is an organic, living flow of blacks and color, the other is a neutral gray perhaps intended as the nearly still surface of water obscuring a sea of activity. Carter unifies the textured stillness and the dynamic movement, by overlaying swirls of mylar throughout the entire piece. These linkages appear as ripples in otherwise still waters.





Close up


While from a distance Carter’s works are aesthetically pleasing, these pieces also beckon viewers to get closer and examine deeper the complexity she has put forth. Like the fractal-depth that is nature, each layer within the organic area reveals another layer of complexity – compositions within compositions. Depth is thus created on many levels - in both the overall composition which presents the illusion of space, and on the surface, as an even closer examination reveals the branchlike tendrils of black paint appear to have grown in place – a result of the dynamic forces that shape the world. This has the potential to appear a science experiment turned art, but Carter has carefully manipulated the use of such processes to blend naturally and reinforce the narrative that unfolds within her abstractions. Each inch of the piece reveals unique formations, as diverse as the natural world they are patterned after.





“Motion Cleansing #3”
Through the process of building up layers of paint, iridescent color shines beneath the black smears of paint, like oil shimmering on a parking lot or the color revealed on a butterfly’s wings. These bright moments flit about in an otherwise black and white composition, captivating the eye. The color adds yet another dimension to an already engaging body of work.





“Motion Cleansing #14”


Carter provides a compelling examination of what we are drawn to in nature, without ever letting go of the fact that she is creating abstract paintings at the same time. In an increasingly devastated natural world, Carter’s works display the importance of our environment as a source of health, life and inspiration. It is a terrific accomplishment that will continue to engage viewers upon repeated viewings.